Category: recording
I’ve just made a binaural render of my Se tu porti il vino, io faccio il pesto. This was written (very quickly!) in 2020 and composed/mixed/mastered in 3rd-order ambisonics (16-channels). I…
On January 10th 2022 Michael Pattmann premiered ma bell, a reworking of ma bel. For one beautiful bell and four percussion groups consisting of six objects each of…
On September 21st 2020 I was a guest of Johannes Zink and Frank Hilberg at WDR Cologne. Johannes and I spoke about the Institute for Computer Music and…
The title gold im bach arose from a discussion I had with Karin Schistek during a trip in summer 2019 to Camogli, near Genoa, Italy. I had…
In May 2018 I was in Münster with edimpro colleagues Dimitris Papageorgiou and Karin Schistek to give improvisation workshops to students at the Hochschule für Musik. Mieko Kanno…
elsewhere by Edwards/Hayes/Michalakos/Parker/Svoboda Back in May 2012, while Mike Svobodo was visiting Edinburgh to do some workshops with University of Edinburgh postgraduate students, some locals, including myself, did…
forest by edimpro alison by edimpro heated by edimpro Just before leaving the UK in September 2017, amongst packing boxes and the fifteen other circles of hell that…
Henrique Portovedo and I have just finished recording my piece in limine, for two soprano saxophones and computer, written 2003-2005. We’ve now got to work on the mix and…
Composed in 2010 but not released until some final polish was applied in 2015, Music for Parallel Consumption is a 4-channel digital composition made for delivery and playback via a custom…
Update, January 2016: This project has now been released on bandcamp It’s a lovely word but a little overused by self-help and marketing gurus: serendipity. Those familiar…
Experiencing this sound installation involves stepping into a custom-built soundproofed box (the mNAP) and listening to the twelve-minute piece I made on stereo headphones. Simple feedback on the…
This was a great find: a step well in the heart of Delhi, namely Agrasen Ki Baoli–see recordings location map. Not only did this have some interesting sonic…
Another shot of me with that far away look–no idea where that comes from because whilst recording these ambiences I feel very focussed on the present moment. In…
My 40-minute algorithmic composition for piano and computer came out on the Aural Terrains label this month. Rei Nakamura premiered it in London (partial version) and Stockholm (complete version)…
A new release of freely improvised music featuring me on saxophones and electronics, Christos Michalakos on drums and electronics, and Jack Weir on electric guitar is now available…
Rigobert Dittmann’s Bad Alchemy 75/12 review of my slippery chicken release has to be the best I’ve every received. Not because it’s the most flattering, but because the writing style…
A multi-format, surround and stereo recording of five of my compositions made with slippery chicken is now available for order or download. Made possible by a grant from the…
Not Us by Not Us Fritz Welch and I have just released not us, a studio album made in my Edinburgh flat (in the sauna, actually). Recorded and…
Our fourth and final (for this series at least) lapslap CD is now out on Leo Records. As the booklet text below attests, in contrast to our previous…
lapslap are Michael Edwards (saxophones, laptop), Martin Parker (horns, laptop), and Karin Schistek (piano, Nord synthesiser). We recorded free improvisations in the Reid Hall from the 8th to…
To get to know the various dynamics, EQ, and reverb effects on the TC System 6000 I tried a mastering session with the 5.0 mix files of my…