Category: composition documentation

Recording “in limine” with Henrique Portovedo

  Henrique Portovedo and I have just finished recording my piece in limine, for two soprano saxophones and computer, written 2003-2005. We’ve now got to work on the mix and…

hyperboles 3 in Montreal

Quasar Quartet, Le Gesu, Montreal, Canada, 19/1/17:   It was disappointingly warm in Montreal. I’d promised Martin temperatures of -20C and below (it reached -33C on my last trip)…

for rei as a doe: the making of the video: an online interview with the artists

Below is an interview I initiated online with the artists who made the above video to my algorithmic composition for rei as a doe. CI = Chante Inglis (animation)…

premiere of hyperboles 5, Birmingham

  Ellen Fallowfield and I outed the latest version of my hyperboles project last weekend at the Crosscurrents Festival in Birmingham. After two days of intense rehearsals and development it…

using auto-sequence to order chords: part 1

slippery chicken’s automatic chord sequencing algorithm creates an ordering for a set-palette’s sets (or chords) based on user-given dissonance and spectral centroid envelopes. The terms set and chord…

using auto-sequence to order chords: part 2

Back to part 1 auto-sequence examples and analysis The following examples process a set-palette created from a harmonic reduction by Emilios Cambouropoulos of Messiaen’s Quartet for the End…

The use of Reaper and MIRA in jitterbug

jitterbug is a four-movement four-channel work/album for computer, with or without improvising musicians. It is documented more generally but in detail in another blog post. Here I’m going…

jitterbug

(aka four views of a rhythmic-structural procedure based on iterated proportions of 6:3:5:4)     jitterbug is a four-movement four-channel work/album for computer, with or without improvising musicians….

making a gong

Music for Parallel Consumption

  Update, January 2016: This project has now been released on bandcamp It’s a lovely word but a little overused by self-help and marketing gurus: serendipity. Those familiar…

for rei as a doe: annotated timeline

Artists Colin Lawson and Chante Inglis  are working on a video using Colin’s paintings as visuals alongside my 40-minute piano and computer piece for rei as a doe. This…

The mNAP sound installation

Experiencing this sound installation involves stepping into a custom-built soundproofed box (the mNAP) and listening to the twelve-minute piece I made on stereo headphones. Simple feedback on the…

Lisp Code to generate double harmonics

In response to Russell Snyder’s request for my code to generate double harmonics (natural) on the viola d’amore, I’ve abstracted the following from my piece 24-7: freedom fried….

Anne La Berge performing the premiere of "hyperboles are the worst thing ever" in Amsterdam on 15/6/14.

hyperboles are the worst thing ever
(aka Epimenides would have been gutted)
Amsterdam

Since August 2013 I’ve been working on hyperboles, a series of pieces that allow musicians to tweak the algorithm parameters that are used to generate the work’s score, sound…

their faces on fire, San Marino

Gianpaolo Antongirolami and I premiered my new piece for baritone saxophone and computer their faces on fire in San Marino on June 20th 2014. It’s 100% algorithmically generated, and…

you are coming into us who cannot withstand you, Freiburg

For Ensemble Aventure, Freiburg, Germany. The title of this piece is taken from the poem “Final Notions” by Adrienne Rich (1929-): It will not be simple, it will…

don’t flinch

Essentially, “don’t flinch” for guitar and computer is a three-part mensural canon, but similar to late Mediaeval and Renaissance isorhythmic techniques, melodic material is repeated along with a…