/open/control/1

I recently finished the first piece in what I hope will be a series of works which I would describe spectacularly unspectacularly as note music. There are no explicit electronics in these works and the instrumentation is open. Like some parts of lusted fleeting, the main algorithmic approach used cellular automata, or more specifically Wolfram Codes, for the generation of the rhythmic structures. A hell of a lot was modified by hand though, as usual, using the Dorico notation software. I’ve written an awful lot about this on a dedicated webpage, so take a look if you’re interested.