Category: performances

naked empty silence in Hannover

My new piece for cello (Martha Bijlma), electronics, and Jean-Francois Laporte’s self-made compressed-air-driven instrument the Bol was premiered on November 19th 2023 at the Rampe in Hannover, Germany….

insonic counterpoint at ZKM

On September 25th 2021, Susanne Achilles and I again performed Jean-Claude Risset’s Duet for One Pianist. This was a recapitulation of the 2019 concert at the Philharmonie Essen…

seven rotations of seven for three premiere

The premiere of my seven rotations of seven for three (triple doubles) for three violas and electronics was premiered at the NOW! Festival on October 30th 2021. The…

hyperboles 6 for Ensemble S201

On June 11th 2021 at the RüBühne, Essen, Ensemble S201 gave the premiere of the sixth installment of my hyperboles series before repeating the concert on August 12th…

Pandora

On October 29th 2019 I presented one of the most interesting concerts I’ve ever organised. Along with my colleagues at the NOW! Festival / Philharmonie Essen / Folkwang…

Salim Javaid’s ONpodcast (in German)

On November 5th 2020 I discussed composition, improvisation, and performance with Salim Javaid in preparation for a podcast release for the ON – Neue Musik Köln Station.  …

ma bel

ma bel, my new piece for Jean-Francois Laporte’s compressed-air instrument, the babel table, was premiered in Canada at the Conservatoire de Musique de Montréal on October 4th 2019….

orchestration algorithm in
“days with glass edges”

  days with glass edges (chasing the butterflies in my wallpaper), for fifteen-piece ensemble and 4-channel electronics, was premiered at the NOW! Festival by the Folkwang Modern ensemble…

Premiere of Durchhaltevermögen in Münster

In May 2018 I was in Münster with edimpro colleagues Dimitris Papageorgiou and Karin Schistek to give improvisation workshops to students at the Hochschule für Musik. Mieko Kanno…

HOTPO

On July 12th 2018, Portuguese saxophonist Henrique Portovedo premiered HOTPO, my new piece for alto saxophone, ensemble, and electronics. The performance was part of the World Saxophone Congress…

elsewhere, with Mike Svoboda

elsewhere by Edwards/Hayes/Michalakos/Parker/Svoboda Back in May 2012, while Mike Svobodo was visiting Edinburgh to do some workshops with University of Edinburgh postgraduate students, some locals, including myself, did…

hyperboles 3 in Montreal

Quasar Quartet, Le Gesu, Montreal, Canada, 19/1/17:   It was disappointingly warm in Montreal. I’d promised Martin temperatures of -20C and below (it reached -33C on my last trip)…

for rei as a doe, with video, in Genova

I’ve just returned from teaching algorithmic composition for a week at the Conservatorio Statale di Musica “Niccolò Paganini” in Genova, Italy. It was a pleasure to meet and work with Professor…

timing accuracy in hyperboles 2

Those present at the St Giles Cathedral, Edinburgh performance by Mieko Kanno of my hyperboles 2 (“until the cherries burst in the orchard”) on 20/5/16 were very patient. I…

Bangkok Thoughts: post-concert Q&A

Whilst searching online forY/Our Music, Salee Art Every’s excellent film about Thai  music, I stumbled across a complete recording of the post-concert question and answer session we did at Museum…

Masterclasses in Venice

The week of March 28th 2016 saw me giving saxophone and electronics masterclasses with Gianpaolo Antongirolami at the Conservatorio di Musica “Benedetto Marcello” in Venice. We were guests of…

Portrait concerts in Aveiro, Portugal

It was a pleasure to be a guest and one of the featured composers of the AVEIRO_SÍNTESE 2016 festival and the Dias De Música Electroacústica in Portugal earlier this month…