Tag: MaxMSP

in competence: ZKM recording

From the 18th-22nd December 2022 Trio Abstrakt and I rehearsed and recorded in competence in the Kubus of ZKM Karlsruhe. This c. 70-minute through-composed work was commissioned by Trio…

vivos: automatic unattended real-time processing of audio signals in maxmsp and common lisp

  vivos as a noun means alive in Spanish and Portuguese; living in Latin; but also tips its hat at the 1980 computer music landmark Mortuos Plango, Vivos…

ma bel

ma bel, my new piece for Jean-Francois Laporte’s compressed-air instrument, the babel table, was premiered in Canada at the Conservatoire de Musique de MontrĂ©al on October 4th 2019….

HOTPO

On July 12th 2018, Portuguese saxophonist Henrique Portovedo premiered HOTPO, my new piece for alto saxophone, ensemble, and electronics. The performance was part of the World Saxophone Congress…

hyperboles 3 in Montreal

Quasar Quartet, Le Gesu, Montreal, Canada, 19/1/17:   It was disappointingly warm in Montreal. I’d promised Martin temperatures of -20C and below (it reached -33C on my last trip)…

for rei as a doe, with video, in Genova

I’ve just returned from teaching algorithmic composition for a week at the Conservatorio Statale di Musica “NiccolĂČ Paganini” in Genova, Italy. It was a pleasure to meet and work with Professor…

timing accuracy in hyperboles 2

Those present at the St Giles Cathedral, Edinburgh performance by Mieko Kanno of my hyperboles 2 (“until the cherries burst in the orchard”) on 20/5/16 were very patient. I…

Masterclasses in Venice

The week of March 28th 2016 saw me giving saxophone and electronics masterclasses with Gianpaolo Antongirolami at the Conservatorio di Musica “Benedetto Marcello” in Venice. We were guests of…

Portrait concerts in Aveiro, Portugal

It was a pleasure to be a guest and one of the featured composers of the AVEIRO_SÍNTESE 2016 festival and the Dias De MĂșsica ElectroacĂșstica in Portugal earlier this month…

premiere of hyperboles 5, Birmingham

  Ellen Fallowfield and I outed the latest version of my hyperboles project last weekend at the Crosscurrents Festival in Birmingham. After two days of intense rehearsals and development it…

Music for Parallel Consumption: An open-ended self-reconfiguring musical composition as app

Composed in 2010 but not released until some final polish was applied in 2015, Music for Parallel Consumption is a 4-channel digital composition made for delivery and playback via a custom…

Music for Parallel Consumption

  Update, January 2016: This project has now been released on bandcamp It’s a lovely word but a little overused by self-help and marketing gurus: serendipity. Those familiar…

hyperboles 4 – the extremities of cold, Montreal

My hyperboles project saw a new iteration in Quebec last month. Performances of  hyperboles 4 (“insomniac rain”) took place in Canada, on February 25th courtesy of the festival Mois Multi 2015…

The mNAP sound installation

Experiencing this sound installation involves stepping into a custom-built soundproofed box (the mNAP) and listening to the twelve-minute piece I made on stereo headphones. Simple feedback on the…

hyperboles are the worst thing ever
(aka Epimenides would have been gutted)
Amsterdam

Since August 2013 I’ve been working on hyperboles, a series of pieces that allow musicians to tweak the algorithm parameters that are used to generate the work’s score, sound…

their faces on fire, San Marino

Gianpaolo Antongirolami and I premiered my new piece for baritone saxophone and computer their faces on fire in San Marino on June 20th 2014. It’s 100% algorithmically generated, and…

better a broken bone

A new release of freely improvised music featuring me on saxophones and electronics, Christos Michalakos on drums and electronics, and Jack Weir on electric guitar is now available…

not us

Not Us by Not Us Fritz Welch and I have just released not us, a studio album made in my Edinburgh flat (in the sauna, actually). Recorded and…

lapslap – granita

Our fourth and final (for this series at least) lapslap CD is now out on Leo Records. As the booklet text below attests, in contrast to our previous…

lapslap recording sessions, september 2010

lapslap are Michael Edwards (saxophones, laptop), Martin Parker (horns, laptop), and Karin Schistek (piano, Nord synthesiser). We recorded free improvisations in the Reid Hall from the 8th to…