I’ve just returned from teaching algorithmic composition for a week at the Conservatorio Statale di Musica “Niccolò Paganini” in Genova, Italy. It was a pleasure to meet and work with Professor…
Anyone who has input a piano score into notation software knows that it’s not so easy as, say, creating a woodwind part. First of all there are chords,…
My 40-minute algorithmic composition for piano and computer came out on the Aural Terrains label this month. Rei Nakamura premiered it in London (partial version) and Stockholm (complete version)…