Tag: musician-tweaked algorithmic composition
I’ve just made a binaural render of my Se tu porti il vino, io faccio il pesto. This was written (very quickly!) in 2020 and composed/mixed/mastered in 3rd-order ambisonics (16-channels). I…
Quasar Quartet, Le Gesu, Montreal, Canada, 19/1/17: It was disappointingly warm in Montreal. I’d promised Martin temperatures of -20C and below (it reached -33C on my last trip)…
I’m just coming to the end of my second week of teaching in the Institute for Computer Music and Electronic Media (ICEM) at the Folkwang University of the Arts in Essen,…
Those present at the St Giles Cathedral, Edinburgh performance by Mieko Kanno of my hyperboles 2 (“until the cherries burst in the orchard”) on 20/5/16 were very patient. I…
Whilst searching online forY/Our Music, Salee Art Every’s excellent film about Thai music, I stumbled across a complete recording of the post-concert question and answer session we did at Museum…
It was a pleasure to be a guest and one of the featured composers of the AVEIRO_SÍNTESE 2016 festival and the Dias De Música Electroacústica in Portugal earlier this month…
Ellen Fallowfield and I outed the latest version of my hyperboles project last weekend at the Crosscurrents Festival in Birmingham. After two days of intense rehearsals and development it…
Since August 2013 I’ve been working on hyperboles, a series of pieces that allow musicians to tweak the algorithm parameters that are used to generate the work’s score, sound…
Gianpaolo Antongirolami and I premiered my new piece for baritone saxophone and computer their faces on fire in San Marino on June 20th 2014. It’s 100% algorithmically generated, and…