{"id":1499,"date":"2022-09-16T11:19:10","date_gmt":"2022-09-16T09:19:10","guid":{"rendered":"http:\/\/michael-edwards.org\/wp\/?p=1499"},"modified":"2022-09-16T15:50:16","modified_gmt":"2022-09-16T13:50:16","slug":"insonic-counterpoint-at-zkm","status":"publish","type":"post","link":"https:\/\/michael-edwards.org\/wp\/?p=1499","title":{"rendered":"insonic counterpoint at ZKM"},"content":{"rendered":"<p>On September 25th 2021, Susanne Achilles and I again performed Jean-Claude Risset&#8217;s <em>Duet for One Pianist<\/em>. This was a recapitulation of the 2019 concert at the<em> <a href=\"https:\/\/michael-edwards.org\/wp\/?p=1411\" target=\"_blank\" rel=\"noopener\">Philharmonie Essen<\/a><\/em> so included pieces by Clarence Barlow, Conlon Nancarrow, and Ludger Br\u00fcmmer, along with the installation pieces I made with my colleagues G\u00fcnter Steinke, Thomas Neuhaus, and Dirk Reith. ZKM&#8217;s video production of the concert, which includes small informative interviews with some of those involved, is available on YouTube:<\/p>\n<p><iframe loading=\"lazy\" title=\"insonic counterpoint f\u00fcr 4 Computerfl\u00fcgel\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Dy_n3pFf2bo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On September 25th 2021, Susanne Achilles and I again performed Jean-Claude Risset&#8217;s Duet for One Pianist. This was a recapitulation of the 2019 concert at the Philharmonie Essen so included pieces by Clarence Barlow, Conlon Nancarrow, and Ludger Br\u00fcmmer, along with the installation pieces I made with my colleagues G\u00fcnter Steinke, Thomas Neuhaus, and Dirk [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1500,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,137],"tags":[200],"class_list":["post-1499","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-algorithmic-composition","category-performances","tag-disklavier"],"_links":{"self":[{"href":"https:\/\/michael-edwards.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michael-edwards.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michael-edwards.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michael-edwards.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michael-edwards.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1499"}],"version-history":[{"count":4,"href":"https:\/\/michael-edwards.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1499\/revisions"}],"predecessor-version":[{"id":1530,"href":"https:\/\/michael-edwards.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1499\/revisions\/1530"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/michael-edwards.org\/wp\/index.php?rest_route=\/wp\/v2\/media\/1500"}],"wp:attachment":[{"href":"https:\/\/michael-edwards.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michael-edwards.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michael-edwards.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}