Building the program
Example Input File
rmsps1.03.zip (including Max OSX executable)
Download the Windows executable
rmsps is a command-line program that analyses sound files and creates graphics of the RMS (loudness) curve (loosely termed the wave form) in Encapsulated Postscript (EPS) form. It was written to generate an arbitrary number of graphics files, in one pass, for inclusion in traditional music scores of pieces for instruments and tape or digital sound, but is not limited to such uses. Below is an example of the output of rmsps. RMS is represented vertically and time in seconds horizontally:
Traditional scores space music according to a non fixed-width spacing algorithm that results in different relative widths being assigned to, for example, a sixteenth note and a half note (i.e. a half note does not necessarily take up eight times more horizontal space than a sixteenth note). This makes the synchronization of wave form representations of sound (which are by nature fixed-width) with notes in a score quite problematic.
rmsps offers a solution to this problem by allowing segmentation of the analysis: in one output EPS file there can be several segments, and in each segment the width occupied by one second of sound can differ. In this way, arbitrary durations of sound can be displayed over arbitrary image widths thus securing visual alignments of events. For example, there is an attack in the tape on the first beat of the first two bars in my piece slippery when wet as is clearly visible in the score:
The synchronization of the tape attacks with the first notes of these bars
was achieved by specifying to rmsps the alignment of the
coordinates of these notes (in whichever scale is convenient: cm, inches,
pixels, percent, etc.) with the corresponding real-time values in seconds
(see below for more details).
rmsps is intended for UNIX platforms and has been tested on Redhat Linux 7.1 (but should work on all Linux systems), Silicon Graphics with IRIX 6.5, and Mac OSX computers. It also compiles and runs as a command line program under Windows (Win32, see below).
Note that if you want to build the program on IRIX, you will need the Silicon Graphics C++ compiler "CC", or, if you like, you can try your luck with gcc.
Failing that, rmsps is an ANSI C++ program that
should be easily portable to every system.
Building the program
On Windows, you can either compile the sources yourself or just download the Win32 executable. Compiling should be easy
as no special options are needed for the Microsoft Visual C++ compiler. Just
make a new project, insert the C++ source files and compile.
If you're running any other platform, download the zip archive, open a shell window, cd to the directory where you downloaded rmsps and type:
The program is created in the current working directory and is called rmsps.
For me, the program compiles and runs without any errors or warnings on all three systems. I've had complaints, but can't get it to fail myself. The SGI seems particularly tricky. First of all, the "cc" compiler will not work as this is only a C compiler, not C++. Secondly, I suspect that on the SGI there might be some problems with the compiler and newline/linefeed combinations: if you get lots of errors, try converting the source code (*.cpp, *.h, Makefile*) to UNIX format (with the to_unix command) before doing a make. On Mac OSX I've also heard of segmentation faults when running rmsps. Again, this doesn't happen to me, but I saw it once when I used the optimization flag to the compiler. Hence optimization is not called in the Makefile.osx. If you changed this, expect problems.
rmsps is started from the command line (there is no graphical user interface) and takes only one argument: the path of the input file. This is a text file in which all the analysis parameters are defined. Simple comments may be inserted into the input file: they begin with the # character. Lines beginning with # will be ignored but mid-line comments (e.g. "this is to be read # this is not") are illegal. Program parameters, e.g. the path of the sound file, the width of the image etc. (see below) come first but may be changed at any point in the input file in order to have different parameters for different output EPS files. Most parameters have reasonable defaults but obviously the sound file, image width and height, and xscale (again, see below) have to be given in order for the program to run. Program parameters are of the form parameter=value and several may be given on a single line (separated by space, see below for an example).
Once the program parameters have been defined, the page parameters come next. Program parameters and page parameters are not allowed in the same line of text. Page parameters consist of one line of text (they may not be separated over two or more lines) for each page to be written. Each line specifies the output EPS file followed by the analysis coordinates. These consist of simple "x-start sound-file-start" pairs, where x-start is the point at which we should start drawing in the output EPS file (relative to the xscale program parameter) and sound-file-start is the analysis start point in the sound file (given either as seconds or minutes:seconds). The analysis continues to the point specified in the next pair, hence it is important always to specify the last point. As an extreme example, with almost five minutes of sound squashed into 50% of the image width, followed by half a second of sound in 40%, take the following page parameters:
p01t.eps 10 0 20 1.25 120 5:00 200 5:00.5
These specify that rmsps should write in the file p01t.eps from x point 10 to 20 the rms analysis of seconds 0 to 1.25, then from x point 20 to 120 the analysis of 1.25 seconds to 5 minutes (5:00), then from x point 120 to 200 an analysis of 5:00 to 5:00.5. My arbitrary xscale here is 200. The result of rmsps using the tape part of my slippery when wet and these parameters is:
|sndfile||The (relative or full) path of the sound file to be analysed. This can be an AIFF, Next/Sun SND, or WAVE file, and it will be automatically recognised irregardless of file extension. Files of any number of channels (and any endianness) are supported but are limited at the moment to 16-bit linear.||NO DEFAULT: REQUIRED!|
|width||The width of the output image in your (optionally specified) units.||NO DEFAULT: REQUIRED!|
|height||The height of the output image in your (optionally specified) units.||NO DEFAULT: REQUIRED!|
|xscale||The maximum x value. This allows you to think on any scale you want and the correct scaling will be applied to convert your given x values to your given width. You can think in percent, between 0.0 and 1.0, 0 and your defined width, whatever you want.||NO DEFAULT: REQUIRED!|
|units||The units for 'height' and 'width.' Can be 'cm' (centimeters), 'in' (inches), or 'pt' (postscript points, where there's 72 points per inch).||cm|
|read-offset||An offset in seconds (or mins:secs) to be added to all the sound file start points given in the page parameters||0.0|
|write-offset||An offset in seconds (or mins:secs) to be added when writing the time scale in the postscript file. N.B. This is independent of read-offset, i.e. if we have a page parameter start time of 12.5, a read-offset of -10.0 and a write-offset of 1.0, then the time written will be 13.5, not 3.5.||0.0|
|rms-size||The size of the RMS window in milliseconds. You can generally leave this at the default but if you're drawing, say, one minute of sound or more in one file, you may want to increase this (e.g. to 100) to reduce output image file size. Obviously, the smaller the RMS size, the more accurate the representation of the sound, but there's always a trade off.||10|
|rms-scaler||Your defined height represents RMS values of 0.0 to 1.0. Sometimes your RMS is consistently low so you might want to (vertically) scale the output of the RMS routine to make your sound more visible.||1.0|
|rms-exponent||The RMS can also be raised to an exponent in order to compress the vertical range displayed. This is useful when the RMS ranges over large values: if an exponent less than 1 is used, low RMS values will be made more visible.||1.0|
|gray||The grayscale fill shade for the wave form. 0.0 is black, 1.0 is white, 0.5 is 50% gray etc.||0.0 (black)|
|line-thickness||The thickness in postscript points of the lines used in the time and amplitude scales.||0.2|
|outdir||The directory in which the EPS files should be written.||The current working directory|
|hlines||How many dotted horizontal lines should be used to draw the vertical scale across the full width of the wave form. This does not include the base line, which is always drawn.||8|
|colour||You can optionally replace grayscale with this command to get a colour wave form fill. The argument is an RGB (red, green, blue) value of the form "r,g,b" i.e. three values between 0.0 and 1.0. The values are separated by commas but NO SPACE!||None, default fill is grayscale 0.0|
|font||The postscript font used to write the time scale.||Times-Roman|
|font-size||The font size for 'font.'||8pt|
|time-line||Whether you want the times in seconds to be printed at the bottom of the image or not. If you don't want this, be sure to write 'no', otherwise it will be printed.||yes|
Example Input File
sndfile=/snd/michael/slippery-tape-181100.wav outdir=/usr/people/musik/michael/eps units = cm width=15.85 height = 1.3 xscale = 200 rms-size = 10 rms-scaler=1 colour=0,.5,.5 hlines = 4 font=Verdana font-size=10 # we're going to write three EPS files but note that with this # one input file I could generate all graphics necessary for # a score, then change the program parameters above and # regenerate the graphics in different sizes, colours etc. p01t.eps 10 0.000 34.66 1.25 126.67 5 200 7.5 p02t.eps 8.07 7.500 68.5 10.000 144.77 12.500 200 15 # change the width for the next file width = 22 # NB we're 11 minutes into the file now p33t.eps 8.46 11:15 67.25 11:17.5 122.15 11:20 200 11:22.5
rmsps is copyright © 2001 Michael Edwards; it is licensed under the GNU GENERAL PUBLIC LICENSE, and comes with ABSOLUTELY NO WARRANTY; rmsps is free software, and you are welcome to redistribute it under certain conditions; see COPYING.txt for details.
Please send comments and bug reports to Michael Edwards: email@example.com but note that as I'm busy and this is free software, I cannot guarantee that I'll be able to quickly incorporate suggestions into the program or fix bugs--thanks for your understanding and patience.
... to Johannes Goebel and the staff of the ZKM | Institut für Musik und Akustik who made the development of this program possible through the support of a Guest Artist stipend in the summer of 2001.